My room is a cove of items from my childhood- toys still collect dust in boxes in the bottom shelf of my bookshelf, still home to many picture books that I enjoyed in my early years and pictures that have faded in color, next to certificates yellowing behind more recent accolades. My closet holds unfinished Lego projects, old Shonen Jump magazines from my 2 year subscription in middle school and both my Boy Scout and Cub Scout uniforms. My drawers are an archive of classtime doodles, binders will bursting with schoolwork from whatever grade they were used in and my forgotten Yu-Gi-Oh! cards and handheld gaming systems.
Items that should have been cast away as soon as I outgrew them instead got stashed in every available space. I hold a connection to each and every item I possessed. Rather, I forge some arbitrary attachment to every item that I own, regardless of their actual importance in my life.
All through my life, I have worn out shoes and backpacks and papers and when the time had finally come to throw them out, I would kick and scream and cry. I always felt so connected to the items, even though I had no significant memories with them. I still vividly remember being forced to throw away one of my backpacks, my eyes watering as I lifted the trashcan lid, holding my backpack in my other hand for as long as I could. I suddenly tossed it into the trashcan, letting the lid fall as I ran back into the house and cried, cried, cried.
So last week, I surprised myself when I told my little cousin he could take some of my toys home with him. The “yes” had come out with almost a tone of carelessness, and I quickly reevaluated what I had just said. These toys were different from anything I had been forced to part from before. They WERE my childhood, items that were prevalent in almost every childhood memory I had.
One of the toys he asked for I remember receiving. It was a Power Rangers Megazord, one of my favorites. I remembered the first day I received it, how my hands shook as I held the shiny new figure from the weight of the toy and my excitement. I remembered the afternoons I had spent in the backyard with it, battling invisible enemies and finding new configurations for it. So why would I be so willing to give something I was so attached to away?
Then I remembered my cousin’s face all the times he came over just to play with it. He battled with his own imaginary enemies, he fiddled with its “instructed” formation and created his own combinations, same as me. If I had any time to give it away, there would be no better time than now, when I would be going to college. If I had any person to hand it to, there would be no better child than he, the boy who would care for it as I did, as I have forgotten to. The first step to becoming an adult would start with throwing away the chains of my childish antics.
So I didn’t cry as I watched him walk out of my house with a box full of my old toys. I knew what he would do with those pieces from my childhood. I knew that I might never see them in the same condition I left them. But I was relieved because I knew that they would not be unused because I left. I knew I would not have to face another trash can.
My room is still filled with childhood pieces left to be taken away by more deserving children. But in the spaces left by the pieces I gave today, I can hoard pieces from the beginning of my adult life. I am still a packrat. But I am no longer attached.
Sunday, September 19, 2010
Wednesday, September 15, 2010
Season 5 of Dexter
HOLYYYYYYYYYY SHIIIIIIIIIIIIIIIIIIT IT’S ABOUT TO GET REAL ASDKFLDSJFLDSKFJDLKSJFKLDJFLKDJFJK
I hope that clarifies how excited I am for this upcoming season of Dexter. I mean, last season blew my mind with the (trying to avoid a pun-type adjective so I’ll go with some buzz words) sharp writing and stellar performances all around. Everything seemed to have come to a head last season, but it all wrapped up quite nicely, as Dexter finally feels at home with himself, his family and his “dark passenger”; Rita got closure with her daddy issues, Quinn just blossomed so beautifully as a character and really melded into the ongoing storylines; Masuka was Masuka; Arthur Mitchell found his right path and all seemed well. I was happy and wondering what the writers could do to amp the show up more when Dexter went into the bathroom to find Rita dead in a tub and Harrison crying in a pool of blood.
This trailer shows me a couple of things I’m really ecstatic about:
* They’re continuing major water cooler story lines from season 4 (besides Rita’s murder), including the Kyle Butler one, the Rita-Elliot (God that guy is such as sleaze) affair and the growing tensions between Quinn and Dexter.
* The changing dynamics in Dexter’s life- he now has no one to depend on to take care of the kids when he’s out killing, but apparently he still can so I want to see how they explain that.
* QUINN+DEXTER. I know I already said it but GOD THESE TWO NEED MORE SCENES TOGETHER AND THIS SEASON WILL BE FULL OF THEM.
* MORE CHARACTER GROWTH FROM DEXTER OH GOD. I mean, I thought Dexter was DONE, a fully fleshed out character, but here it seems like they’re showing Dexter crack under all of the pressure he is now under.
Anyway, that was me fanboying all over your dash. But seriously, get caught up on Dexter now, because this season will be killer (sorry but I HAD to stick one in).
Sunday, September 12, 2010
Paul Conrad, in memoriam
“The important thing is that we continue to fight for these things [freedom, democracy], so that we have a country that is enviable because we, as a democracy, are the makers of our own destiny, the destiny of our generation, and for many more generations to come.” - Paul Conrad, ‘I, Con’
“Paul Conrad died.”
My mom informed me (rather bluntly) of his death a few days ago. At the moment, I took it in slowly, mumbling, “Oh,” and proceeding to walk off without so much as a second thought.
Today, my dad was organizing and found a book, which he gave me. It was “I, Con,” Mr. Conrad’s autobiography and the book that had introduced me to him. And as I held the book in my hand, I remembered him. I opened the book and saw poignant and detailed political messages arranged with skill and precision; words and images juxtaposed to call politicians out on their blunders. I remembered receiving the book my sophomore year and reading in awe all the Presidential terms he lived through, the 21st century he saw and wanted to correct.
This, I now remember, was the man who inspired me, who I modeled my own cartooning style after. I credit this man to helping me win various cartooning awards at write-off competitions at the local, state and national level and for giving me the brief dream of becoming an editorial cartoonist. Without him, I probably would have struggled as an editorial cartoonist on the Spartan Scroll; I would have lacked not only the skill and the passion required for the job. He does for my cartoons what Geoff Boucher and Bill Plaschke did for my personality features, and I regret not being able to meet him while he was still with us to tell him this.
But thank you, Mr. Conrad, for your contribution to modern cartooning and for showing me that we can all have voices that resonate far and wide, we just need a pen and a good idea.
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